A classic question in economics.
Theory of the Firm.
Firms operate in places where transaction costs dominate the benefits of fluid market pricing.
How does Giulia's firm change if she chooses to take over the forge?
Relevant changes to cost structure.
Drivers of Cost | |
Resource Intensity | |
Unit Cost Structure | |
Economies of Scale/Scope | |
Fixed and Variable Costs | |
Customer Acquisition Costs |
Relevant changes to revenue structure.
Drivers of Revenue | |
Consumer WTP | |
Average Time to Sale | |
Customer Lifetime Value |
Relevant changes to partnerships.
Key Partners | |
Key Resources from Partners |
Relevant changes to value proposition.
Value of Product | |
Product Differentiation | |
Replication from Firms |
Option 1: Don't buy the forge, continue with on-demand sales.
Option 2: Buy the forge, take two year deal with customer.
Option 1 | Option 2 | ||
Price | |||
Variable Costs | |||
Fixed Costs | |||
Profit Margin | |||
Profit Equation | |||
Breakeven Volume |
When does buying the forge become more profitable than not?
What advice would you give Giulia on her potential negotiations for the forge?
What, economically speaking, is it about TenAlpina and its market that keeps profit margins so low?
Superstar firms.
Even in competitive markets, some firms are able to simultaneously operate at a low average cost and a high marginal cost. A high marginal cost implies a high market price, and a low average cost implies enormous profit margins to the "superstar" firm.
Necessary conditions for Superstars.
Network Effect | Economies of Scale | Difficult to Imitate | Example |
---|---|---|---|
Yes | Yes | Yes | |
Yes | Yes | No | |
Yes | No | Yes | |
Yes | No | No | |
No | Yes | Yes | |
No | Yes | No | |
No | No | Yes | |
No | No | No |
Implications for the labor market.
Alfred Marshall, 1947: "The relative fall in the incomes to be earned by moderate ability...is accentuated by the rise in those that are obtained by many men of extraordinary ability. There never was a time at which moderately good oil paintings sold more cheaply than now, and...at which first-rate paintings sold so dearly. A business man of average ability and average good fortune gets now a lower rate of profits...than at any previous time, while the operations, in which a man exceptionally favoured by genius and good luck can take part, are so extensive as to enable him to amass a large fortune with a rapidity hitherto unknown."
Key takeaways.